Monday, November 12, 2018

VN Talk: 7'scarlet - Part 4: Toa Kushinada


Continuing my playthrough of all the routes in 7'scarlet, I liked Toa's more than I thought I would, even though Ichiko spends the least amount of time looking for her brother due to being head over heels fascinated with her new love interest. Toa is initially presented as a shy and introverted man with nerdy hobbies. He's a clutz, but a very kind person, and on Hino and Isora's routes he's a pretty one note character, though the game drops some hints that he's probably the "civilian" identity of a huge pop star that goes by a stage name.

One of the side events on all routes is a concert being held at the local middle school by A-TO, one of the country's biggest music stars. It's a bit of a mystery why he would want to perform at a school out in the middle of nowhere, but the school is happy to have him. Given that A-TO is a ridiculously simply anagram of Toa, it wasn't hard to figure out the two are the same person, but we don't see A-TO until Toa's own route, because he's that good at hiding his other identity. As Toa, he dresses in a padded kimono that hides his figure, slouches, wears glasses, and his shaggy hair falls over his face. As A-TO he stands up straight, dresses fashionably, drops the glasses, and his hair is brushed back.

The early part of Toa's route is mostly cute stuff as Ichiko repeatedly bumps into him at bad times and eventually realizes that the shabby-looking guy who loves cats is actually a celebrity. We also get his backstory about how he grew up in Okunezato, how he created the Okune Panda mascot, and how his family's business was eventually shut down by the Murakumo family.

But despite that, the middle section of the plot doesn't feel that much different from Isora's. Most of the fourth afternoon/evening is even recycled from Isora's storyline with Hino having extra work, Sosuke missing the evening meeting, and Yuki suggesting that the group break up.

I didn't like the reduced focus on Ichiko's story much. Though I related to Toa a lot (especially how he takes off his glasses before going on stage so he can't see the audience), it bothered me that Ichiko put off the reason she came to the town in the first place because she couldn't get him out of her head. Also, Hino drops off really badly in this one, and this time there's far less of an excuse for Ichiko not to touch base with him. I know he's not the designated love interest on this route, but they're still friends who came to this town together and I feel like the other hotel staff show up more often than he does.

The last third of Toa's route is really intriguing though. It's not that it comes together as part of his story (in fact you could cut a lot of it and it wouldn't change anything), but it advances the overarching story of the town that cuts across all playthroughs. Even though most people say the local legend about the revenants is just a story, the town's vigilance committee certainly believes in it, and suspects Toa of being one.

It could have ended badly, but Sosuke intervenes and convinces them to let Toa go. Then Toa and Ichiko go back to dealing with celebrity issues (almost) as if nothing had happened. But this was a massive tease for Sosuke's role in the story and made me heavily anticipate going through his route. Obviously he's involved--deeply--with what's going on if the notoriously fanatical vigilance committee will listen to him.

And the route wraps up with the now customary attack by a man in a cat mask.

The game does something odd here, with having a cat being clearly attracted to the killer, when Toa is the only character who we know of who constantly has cats flocking to him. And I was shocked it took me so long to realize that on top of that, the killer is wearing a cat mask. I thought they might be one and the same.

But then Toa appears and defends Ichiko just like Hino and Isora did on their routes before him. I can't help wondering why the cat attraction was included and if it was a dropped plot thread, because after finishing the final route, this appears to be nothing more than a red herring with no additional significance. In most games something like this wouldn't matter, but given that 7'scarlet is a mystery, players are likely to expect a meaning behind any unusual event and in this case there isn't one.

After the cat mask killer is dealt with, Toa's route then resolves with the usual happily ever after and he and Ichiko decide that they'll try to make their relationship work, even though his job as a singer has him traveling and performing a lot. Oddly, his Normal and Good endings are almost identical, but if the player gets his Good Ending, there is one additional piece of information revealed.

Toa is also a childhood friend of Ichiko, which is the pattern I mentioned in Isora's blog entry and why I was glad that I had played Hino first. Given that Sosuke is clearly tied to the town as well and that Yuzuki is the local hotel owner, it wasn't a stretch to assume that all of the love interests are Ichiko's childhood friends (though it turns out that's not entirely true). This made Hino feel less and less remarkable the further I went in.

Needless to say, after the vigilance committee scene, I was looking forward to playing Sosuke's route next, and especially jamming over to Yuzuki's, since multiple characters on prior routes suspect he knows everything.