Monday, April 17, 2017

"Between Earth and Exile" now out in Deep Magic

In case you missed it, the April issue of Deep Magic is now out on Amazon, containing my novelette "Between Earth and Exile."

In a far future, humanity has been pushed back from their colonies and forced to live on an overcrowded Earth by the alien Alcaltans, who now dominate the galaxy. There's no place for humans anywhere else, except for those who chose to go into exile on the Bloodborne, a stolen dreadnought turned pirate ship by Captain Mercer and his crew.

"Between Earth and Exile" follows Alexa, one of the junior crew members, who was still a teenager when she made the decision to flee Earth on the Bloodborne. Now six years later she is a young adult and wants to return to rescue whatever remains of her family.

Monday, April 10, 2017

Attack on Titan: When is it fair for a series to change genres?

Attack on Titan has been on my mind a fair bit lately, and I've been thinking: When is it fair for a series to change genres? I've been following the manga for quite a while, and as people on my mailing list know, I recently rewatched the first season of the anime and starting playing the console game a couple months ago.

I'm not normally a super-fan, but there's something about Attack on Titan that really grabs me, and has done so with a great many other people such that the manga is one of the bestselling series in the country. The second season of the anime is like a tornado diving into fandom. People can't avoid it. It's even being broadcast on Cartoon Network less than a month from its Japanese broadcast, which is pretty crazy considering the logistics involved, which includes redubbing the audio into English.

Now, I'm going to get into spoilers. If you don't care, keep reading. If you do, know that I'll be covering up to chapter 92 of the manga, which is what just came out this month.

Seriously. Spoilers. Stay out if you don't want.

Now then...

Attack on Titan begins with a relatively simple setup. The last of humanity has been forced into a small country-sized space surrounded by three concentric walls that are high enough to keep out the titular titans, who are unintelligent and whose only drive seems to be to eat people. The weapon tech is perhaps early 1800s with cannons and shotguns being known quantities, but there are no gatling guns yet. Both are inefficient against titans which can only be killed by removing a meter long section of the nape.

Most people are happy to live within the walls where the titans can't snack on them, and humanity has lived this way for just over a century. But some people want to venture back into the outside world, and they are the members of the Survey Corps. (I will be using Kodansha's manga translation names here, not Funimation's anime translations, because I'll mostly be talking about the manga.)

The Survey Corps is generally regarded as a bunch of madmen who waste taxpayer money because their typical mission involves going out beyond the walls, lots of them getting killed, and then not really learning anything about what the world beyond the walls is like. Still, they fight, which is why people think they're crazy.

Attack on Titan kicks off with the breach of the outermost Wall Maria, which causes humanity to once again know the fear of the titans and flee for their lives. The human population is drastically reduced because even though many people escape to the next innermost wall, Wall Rose, it's a much smaller territory and there's not enough food to feed everyone, so the excess are thrown out to be eaten by titans, for the good of everyone else.

This is not a nice series and this is where the main body of the story begins.

Our protagonists join up with Survey Corps for various reasons, and begin their push to successfully fight back the titans.

There are revelations along the way. Main character Eren Yeager has the ability to turn into a 15-meter class titan himself, retaining his intelligence, and though he knows his father gave him the ability, he doesn't know how. We also learn that there is a traitor among Eren's classmates from the Training Corps, and she also can turn into a titan.

And in the middle of all this, there's lots and lots of people valiantly fending off and/or being killed by titans. The Survey Corps does have lot of casualties, but those who survive their first few missions often become genuine badasses, because they have to be if they want to live, and the anime does an amazing job showcasing how even ordinary Survey Corps members fight.

(I haven't mentioned it yet, but the way people kill titans is with gas-powered maneuvering gear that shoots grappling lines into trees and buildings so the soldiers can fling themselves up to the heights needed to circle around to the back of the titan and cut out the nape with their specially crafted swords.)

It really feels like this is the tone of the series. Push against titans, they push back, wall breaches, lots of people die, OMG. And though there's stuff about traitors, and we don't know the motivation of the traitors, everything fits in the box of what we know.

What's really interesting to me, is what happens after the current plot in Season 2 of the anime. Though I can understand that production issues are the cause for keeping it to 12 episodes this season, Attack on Titan also undergoes a shift in its later story arcs that could potentially annoy the anime's larger fanbase.

We've come to expect that this is a series about the last dregs of humanity making a desperate stand against the monsters that would devour them, but the next arc barely features any titans at all. Which is a shock considering the title. I'm sure the animators are going to be scratching their heads trying to figure out how to create all those dynamic action scenes for what is essentially a political intrigue arc, but political intrigue is the game. There's still fighting, there's also a number of people dying, but for very different reasons.

I followed the arc because I loved seeing the Survey Corps being put out of their element and Commander Erwin Smith's ballsy plan to wrest control away from the ruling family. (Seriously, he initiates a successful and relatively bloodless coup that wraps up in less than a week.)

But barring a surprise titan appearance at the end of the arc, the fighting is human against human and the Survey Corps members are naturally unhappy about this, because it's not what they signed up for. It's not what the audience originally signed up for either, so I'm curious how this arc will eventually go down.

We're at a point where the manga is probably 30-40 episodes' worth of material ahead of the anime (assuming 4 episodes per volume), which creates a gigantic disconnect from people who are manga readers versus anime-only viewers, and surprisingly makes it difficult for the two groups to talk.

The anime-only viewer is currently worried about the possible breach of Wall Rose, which once again puts humanity on the back foot, especially considering the intelligent new Beast Titan that has show up.

The manga reader knows what the real battle is (or at least knows more of why things are the way they are), and it's nothing like what we've been led to expect. It's ridiculously hard to talk about anything the current manga reader is enjoying without spoiling and spoiling a lot of catch-up material.

For instance, much of Season 1 of the anime is spent trying to get back to Eren's basement. That eventually happens in the manga, but when my friend asked what the secret of the basement was, I couldn't explain the significance of it without explaining a lot of other things, otherwise my answer would have no meaning.

Attack on Titan is now a war story. It was a post-apocalyptic grimdark fantasy, then it was political intrigue, it went back into grimdark people with swords, and now it's World War I with titans, and there's no getting around that.

The basement really did shatter everything, because the truth of the world is that humanity has not perished outside the walls, but is actually going about business as usual, and it's the people living within the walled country who are the hinterland hicks who don't know anything.

For some series, this kind of revelation would happen at the end because continuing would make it a very different story. Because at this point, we've learned so much, about where the titans came from, how they are actually victims who cannot help what they do, and the series ceases to revolve around killing the titans and taking back their world. Most of the world is remarkably titan free.

The only reason there are titans where the protagonists live, is because they're on an island and their ethnicity is persecuted on the mainland for their potential to be turned into monsters. Dissidents are rounded up in the country of Marley, shipped off to the island, and forcefully turned into titans, ostensibly to harass and punish those who've sealed themselves away from the rest of the world.

Most of the outside world hates and fears the people we now know as Eldians, because of their transformation abilities that allow any individual to become a mindless weapon of war, and the power of the Founding Titan, which now resides in a dormant fashion in Eren, allows one to control all the mindless titans. No one wants to end up fighting an army of man-eating giants.

But... technology marches on, and the world outside has advanced. It has trains. It has blimps. It has navies that can fire a fair distance inland at a fort. Anti-titan weaponry has been developed, and while it hasn't rendered titan warfare obsolete, that day is coming.

Where is the space for people flying on grappling lines with swords to attack the nape of titans?

At this point, Marley is using Eldians in its army, both willingly and not (the willing ones make me think of the Japanese Americans who fought for the US even as the rest of their families and friends were placed in camps--they want to prove their loyalty) and so they'll probably send some more titans at the island once the next story arc starts up, but really, if Marley takes the capture of the Founding Titan seriously this time, we're going to see people with artillery and machine guns landing on the island and I can't see our protagonists being prepared for that.

This is a totally different story than the one I signed up for, but I'm still game. I like World War I, and seeing a secondary world version of it is interesting, especially seeing this world's version of an air raid, where Eldians can be dropped from the sky and transformed into titans to attack the enemy. It's hugely intimidating, and assuming the anti-titan weaponry is taken out, incredibly effective as well.

But will we still see swords and maneuvering gear? Is the situation on the island still desperate now that they know they aren't the last of humanity, or do they feel it doesn't matter as they've traded one enemy for another? Is there still a reason for the Survey Corps?

I don't have those answers, or the one to my original question as to when it is fair for a series to change genres. I know I'm still in for the ride, but I don't know how many will be lost if and when the anime gets to these points, and how many may have been lost already.

It's still a good story, and according to Hajime Isayama we're not nearly at the end of it yet. There's a good chance it'll jump again.

Monday, April 3, 2017

Writers of the Future 33

Hey, all!

This is a pre-queued post written almost a week before the festivities so there won't be any specifics. But by the time this goes live the award ceremony for the 33rd Writers of the Future contest should have occurred, since it's very much a Sunday night gala.

Why is this pre-queued? Because I've spent my weekend at the workshop hanging out with the new winners and I'm pretty sure I'd be too tired to actually write any of this. The week is a complete energy drain even if you're not the guests of honor. It's like a mini-convention and all the travel and stuff that goes along with it.

If you're curious about the contest at all there's usually a stream of the awards ceremony up on the official website for several days after. I know because coworkers discovered it the year I won and I came back to find half the office had seen it. (So if you're shy and you don't want that to happen to you, don't mention that it's going to be streaming live to anyone you know...)

And I might not know who the new grand prize winners are as of this writing, but grats guys!

Monday, March 27, 2017

Flash Fiction Online Fantasy 2016 Anthology

Flash Fiction Online has released their annual anthology collecting all their 2016 fantasy stories, including my short "The Ancestors." If you like flash and would like to support the magazine it's worth checking out.


It's for sale on Amazon and Weightless Books.

In addition to my own piece of flash fiction, you can find shorts by Kelly Sandoval, Rachael K. Jones, and Marina J. Lostetter, all of whom have written work I've enjoyed.

Monday, March 20, 2017

Anime That Could Be Done in Hollywood Without Whitewashing

With Ghost in the Shell ramping up its PR engine in advance of release, and thinking about all the other attempts by westerners to do live action adaptations of anime, I started wondering, why do they love to choose the ones with a Japanese cast?

Because that's what sets off all the whitewashing problems.

Right now we have Ghost in the Shell coming to theaters, Death Note is in production for Netflix, and it's hard to forget early forerunner Dragon Ball.

But there's a lot of good anime out there that has a multi-national or even completely non-Japanese cast, and I'm not sure why Hollywood hasn't picked those up. Some of them have had or will have live action versions themselves, but Japan's own movie industry doesn't have the deep special effects pockets and expertise that Hollywood does.

So I thought about five series that could be great with a Hollywood budget and casting directors wouldn't have to jump through hoops for. I'm also primarily picking older properties (because Hollywood people with the clout and money probably favor things from their younger days, like James Cameron's persistence with Battle Angel Alita) and series with crossover potential since popularity in Japan alone doesn't carry much weight in the US.

#1 - Attack on Titan

Let's get the behemoth out of the way! Attack on Titan is a freaking juggernaut. It's the highest anticipated anime series for spring 2017 (when the long anticipated Season 2 begins). Volume 1 of the manga was on the New York Times bestseller's list for 81 weeks! You could buy Attack on Titan clothing at Hot Topic (maybe with the new season around the corner you still can). Anyone vaguely current on anime in the past 5 years will have heard of Attack on Titan.

It takes place in a world where humanity lives inside three gargantuan concentric walls that are all that protect people from the titans who would otherwise devour them. The only vulnerability titans have is a small space in the nape of the neck that must be cut out, otherwise the rest of the body will regenerate, so the soldiers who fight them zip around on vertical maneuvering gear that works like a pair of gas-powered grappling hooks.

The animation looks amazing and captures the feeling of what it's like zipping and flying through a cityscape to fight giants as tall as buildings, but getting that level of fidelity in live action would difficult to achieve without lots of special effects experience and budget. The live action Japanese version doesn't come close. Hollywood probably could do it though.

And for casting, the people inhabiting the world of Attack on Titan are fair-skinned with Germanic (occasionally English) names for the most part. Hollywood can have a cast largely populated by white people and no one would think anything of it. The only explicitly diverse character is the biracial Mikasa, whose father is from the majority ethnic group and whose mother is Asian.

#2 - Cowboy Bebop

To be honest Cowboy Bebop isn't my cup of tea, but I know it's a lot of other people's. It's one of the biggest series of the 90s, putting it in the zone of Hollywood's current nostalgia cup, and it's a series I still hear about from time to time. Usually in the form of "You haven't watched it yet?!" until I finally did.

Cowboy Bebop is a work of near future science fiction where tech has been discovered allowing people to jump around the solar system, though not to other stars yet. You have your badass crew of bounty hunters that's constantly low on funds and needs to take on more jobs to make a living. And that's without getting into Spike's backstory.

Cowboy Bebop is not too out there, it's not too anime. It's one of those series where if someone told me it was more popular in the west than the Japan I'd believe it, because you can see the influence, and there's not really any fanservice beyond Faye's outfit, which fits her character without being too ridiculous. I think people who enjoyed Firefly would find a lot to like about Cowboy Bebop as well.

We don't have canon ethnicities for any of the Bebop crew, though Faye is probably Asian. To be honest, I think a casting director could go wide with the Bebop crew and cast just about anyone regardless of ancestry into any role and it would work out just fine, because the Bebop crew visually doesn't look like they have to belong to any particular group. Ed especially with her brown skin and carrot colored hair (dyed?). It wouldn't be great if Hollywood cast this all white, but they could arguably have a leg to stand on.

#3 - Fullmetal Alchemist

Fullmetal Alchemist is set in an early 20th century style world in a European-inspired country, where alchemy is practiced and can be used as a form of magical combat based on the law of equivalent exchange. Something cannot be created from nothing, but it's possible for an alchemist to change one thing into another.

The story follows the titular Fullmetal Alchemist Ed and his brother Al, who are trying to find a way to restore their bodies after their badly botched attempt to resurrect their mother. (Something can't be pulled from nothing, so you can see how this was a bad idea.) But there's a lot more going on than their quest to fix themselves, since Ed is also a state alchemist and there is something very rotten going on in the government.

Like Attack on Titan, Fullmetal Alchemist is a series built for Hollywood special effects with all the different alchemical abilities. Though there is a live action Japanese movie in the works, it won't have the look and the budget that Hollywood would be able to pull off.

And again, most of the cast can safely be white. There are Chinese and Middle Eastern-inspired characters in supporting roles, which Hollywood is generally decent about filling without whitewashing (because they're not the protagonists), but all the major characters are of European equivalent descent.

#4 - Vision of Escaflowne

This was a 90s juggernaut and a crazy genre mash-up involving a girl with powers to influence the future, steampunk mecha, portal fantasy, and the lost civilization of Atlantis. You couldn't trip over a 90s anime fan without some knowledge of Vision of Escaflowne and this is one instance where a little something for everyone really worked.

Hitomi initially appears to be an ordinary schoolgirl who happens to like fortune telling with tarot cards, but when she gets transported to the world of Gaea, she learns that her powers can have a real influence on the world and she gets caught up in a crazy war.

The titular Escaflowne is a transforming mecha that can change from its humanoid shape to a dragon with its pilot riding on its back. Her travelling companion, Prince Van, can fly with feathery wings that sprout from his back when he needs them, and there are a multitude of fantastical non-human characters she meets along the way. This is stuff that would be great with the right budget and special effects crew. (Though the wings could still look terrible, since Hollywood has still put out some cheesy people with wings shots.)

Other than Hitomi and the people she leaves back home in Japan, the rest of the human cast is non-Japanese and most could safely be cast as white without much protest.

#5 - Bacanno

Okay, this last one is not that widely known, but I'm including it because it's one of those series where everyone who sees it likes it, but not enough people have seen it. Bacanno takes place in Prohibition America and involves three different plotlines in three different years that weave together to form a single story. It's really quite brilliant.

At the core of it, there were a bunch of alchemists who discovered the means to achieve immortality, and the only way they can be killed is if one of them "eats" the other. Thanks to shenanigans (Bacanno is a master at the domino effect, where one little thing sets everything else in motion), the immortality-bestowing brew ends up in the hands of a lot of people who haven't a clue what it is and well... there are more shenanigans. With three plotlines it's actually hard to say what the overall story is, save that it's what happens when people who really shouldn't become immortal end up doing so.

If you like gangsters, immortality, and crazy plot reveals (because the story is told in a non-linear fashion), Bacanno is pretty amazing and it should go over well with people who like puzzling out what everything means and what's really going on.

Since it's set in the US, most of the characters are white, though there are minor roles of other ethnic groups. If they include more of the books they could even bring in Maria Barcelito, a Mexican katana-wielding assassin.

Ideally, I'd prefer Hollywood movies to be more diverse, but if they're gonna do anime, at least choose something that would work well with the casting choices they're likely to make. We'll get Japanese Death Notes with an all Japanese cast out of Japan, but Hollywood offers the possibility of translating some material to live action that Japan actually can't do as well on its own.

Monday, March 13, 2017

VN Talk: Psycho-Pass: Mandatory Happiness - Part 3: Takuma


I held off playing Takuma's story until I finished all of Nadeshiko's endings in Psycho-Pass: Mandatory Happiness, which was pretty hard to do, but I wanted to drain every scrap of her story I could get before moving on. It probably wasn't necessary, but I would recommend getting at least one of the playthroughs where she regains her memories while an inspector before playing Takuma's storyline.

The reason for that is because Mandatory Happiness hinges around Alpha and Yukari's mutual memory loss and the problems that result. Takuma can unravel the truth for himself, but he doesn't experience it firsthand. And usually he finds out about her planned integration with Sibyl as a quickie info dump which is harder to take without context.

But Takuma's story answered a lot of questions I had leftover from Nadeshiko's playthroughs. We know from her flashbacks that he did not spend all his adult life as a enforcer, because he obviously spent a lot of time with her, which would have been impossible as a latent criminal. It turns out that he only became a latent criminal after Yukari went missing, and his Crime Coefficient increased because of his single-minded hunt for her.

Considering that he was meeting with some severely questionable people in his attempts to find her (even Makishima in Nadeshiko's playthroughs), it's not surprising that this was the turning point.

Takuma's story also fixes a lot (though not all) of what I found problematic about him in Nadeshiko's route. During the first case he's incredibly sympathetic towards the perpetrator, Haruto, the high school boy who blackmails his crush into hanging out with him after she was sent away to a different high school. I found the perpetrator's actions to be reprehensible and on Nadeshiko's playthrough, Takuma is upset by the case because he feels that at one point the two kids honestly liked each other. If Sibyl hadn't intervened they might have been happy together and none of this would have happened.

This is possibly true, as Shiori obviously did care about Haruto at one point, but the weird thing that stuck out at me was that Sibyl wasn't what came between Haruto and Shiori, but Shiori's mom, who thought Haruto was a bad influence on her.

Playing through Takuma's storyline it's clear that he's conflating his own backstory with Haruto's, because he and Yukari were similarly close and then Sibyl decided she'd be better educated in Tokyo than the outlying Sado Marine City. This caused them to be separated, and though they continued to meet each other from time to time as adults (which is clear from Nadeshiko's memories), they were living in different worlds in the different jobs Sibyl had assigned them.

Takuma still, unfortunately, sports oddly outdated bits of masculinity. He's actually worse on Nadeshiko's route, but that doesn't eliminate his ideas of how a man should behave. One of the things I was hugely concerned about, given the wide latitude the player has in determining Nadeshiko's fate in her own story, was how much influence the player as Takuma would have over hers.

Takuma's entire motivation for joining the CID is to find Yukari, who we know is a person capable of making drastic, life altering decisions about her own fate, even knowing how Takuma cares about her. I was afraid that if the player as Takuma restored her memories, he could talk her out of her most drastic decisions.

Thankfully, my first ending with Takuma proved my worries wrong, as we end with a situation not possible in Nadeshiko's playthrough, where Takuma is aware of the truth about the Sibyl System and accepts that Yukari is going to become a part of it. He got to meet her again and he knows she's now leaving by her own choice, and he's okay with that. And that's the Takuma I love from Nadeshiko's playthrough. (There are other parts of this ending that came out clunky, but at least this part I liked.)

A lot of his choices throughout the game revolve around how obedient an enforcer he's going to be, and that shapes the way his endings branch. He's a impulsive character, who is currently constrained by the rules of his employment, so unlike Nadeshiko I actually feel like it's easier to play Takuma wildly in one direction or another. Maybe he understands the need to stay in his employer's good graces, maybe he can't help being a loose cannon.

Like Nadeshiko, Takuma essentially has four paths, but a total of six rather than eight True Ends; one where he raises his Psycho-Pass high enough that he's promoted from enforcer to inspector (which is hugely remarkable since that situation never happens in the anime), one where Nadeshiko recovers her memories on her own, one where Takuma goes rogue and teams up with Alpha, and one where he fails to recover Nadeshiko's memories while still remaining an enforcer.

Takuma can still be a bit bone-headed in his endings, the worst offender being the one where he decides not to restore Nadeshiko's memories because he equates that with murder (since Nadeshiko would disappear and Yukari return), to which I say "Wha…?" because Nadeshiko is just Yukari with missing memories.

It would have been better if he had made the choice because he didn't want Sibyl to get its hands on her, knowing that her missing memories and lost asymptomatic condition is all that's keeping her from being absorbed into the hive mind, but for some reason that's not really what he seems to be worried about.

Keeping Takuma's single-minded dedication to Yukari is a little rough sometimes when it comes to endings, since he has to respect anything she says in order to remain in character, so if the player recovers Yukari's memories, the game generally handles this by having her hesitate to suggest a plan. In which case Takuma can suggest something, even if it's just to prod her for what she really wants.

The strange thing about Takuma's storyline, as least from the scenes I got, is that how Yukari physically came to be Nadeshiko isn't really touched on. He notices over the course of the story that Nadeshiko behaves a lot like Yukari. She even thinks a lot like Yukari. Of course she doesn't look or sound like Yukari so they shouldn't be the same person, but he can't shake the feeling.

On multiple routes, Takuma becomes convinced that she's somehow Yukari even without it being spelled out for him (which is kind of funny because he doesn't have a clue in her storyline). He even correctly concludes that the reason he was chosen to be an enforcer in Division 1 was to trigger Nadeshiko's lost memories.

Which is nice, because it shows that he has the aptitude to be a detective and pulling him out of rehab wasn't a complete asspull on Sybil's part. Even on the route when he regains his standing as a free citizen and continues life as an inspector, it's not taken from him once his job is done and Yukari has become a part of Sybil. He remains at his position which he now believes is the best place for him, just like Sybil is the best place for a person like Yukari.

Like Nadeshiko, his True Ends are split between whether he stays in the system or leaves it, but one particular ending warrants a special look because it's the only one that goes so far off the rails that I have trouble seamlessly integrating it with the rest of the anime series.

That's the one where Takuma allies with Alpha and fittingly it seems to be really hard to get (I used a walkthrough). It looks like the player has to tank Takuma's Hue all the way to the bottom, get thrown on probation because of a bad counseling session, but take one supplement afterwards to raise his Hue before the final crisis is fully underway. This will allow Takuma just enough freedom to choose to be on the search team rather than the rescue team (he won't get a choice if he's really tanked). It's possible that it's also necessary for Alpha to voluntarily abandon his cyborg body earlier in the story rather than be forced out of it due to head damage.

This setup leaves Takuma rebellious enough that he's willing to do his own thing, which is going to Yukari's old apartment and hooking up with Alpha.

Once Takuma identifies himself to Alpha as his father, this changes everything and throws out two-thirds of how the final crisis would usually play out. When Takuma and Alpha agree to team up and recover Yukari, Alpha ceases to care about his happiness agenda (I guess Mother is the higher priority since she can't praise him for a good job if she doesn't know who he is) and makes for a wild ride.

It was a fun route, but only in a completely crazy off the rails way. Takuma ends up sneaks Alpha along for the ride to the team headquarters so they can get Yukari, but things go horribly wrong and they end up having to subdue most of Division 1 as they make their escape, which is why canonically this is a giant mess, even though it's incredibly funny seeing Alpha mess with the hospital holograms and turn the place into a virtual castle complete with monsters (which are actually the medical drones).

The thing is, there's no way that the remaining members of Division 1 are going to forget the time that Takuma Tsurugi went rogue, ran off with one of their inspectors and the prime suspect of one of the most disastrous cases they've ever had. Something like that leaves a mark.

While there are plenty of endings where the two of them disappear and Alpha survives, Alpha's survival is always hidden from anyone other Nadeshiko, Takuma, and possibly Sibyl. The disappearances happen after the case is closed, so as far as the CID is concerned Alpha is finished. An enforcer (and inspector) disappearing after that is a much smaller, unrelated incident.

Moreover, in this ending Akane discovers the existence of criminally asymptomatic people when she tries apprehending Nadeshiko after she gets her memory back, as well as being told the truth of the Sibyl System, which pretty much undermines all the secrets she eventually learns in the mid-to-late part of the anime's first season.

She also uncharacteristically runs off and lets them go. Takuma's narration presumes that she does this because she really can't do anything to stop them if her Dominator doesn't work, but it's not in character for Akane, who went after Makishima with an unloaded pistol even though it meant hanging off the side of a truck in the anime.

Aside from that, most of Division 1 was knocked out, almost permanently, and Alpha escapes, which is not something any of them are likely to forgive.

Since it's hard to naturally trigger and I really like the Takuma/Alpha team-up, I'm not too upset that this ending exists (and it was kind of funny), but I wish it had managed to stay more in the realm of believability.

Still, it was the final ending I played, and was an entertaining enough capstone to Mandatory Happiness.

Monday, March 6, 2017

VN Talk: Psycho-Pass: Mandatory Happiness - Part 2: Nadeshiko


I chose Inspector Nadeshiko Kugatachi for my first playthrough of Psycho-Pass: Mandatory Happiness and I'd recommend her first since the crux of the game's conflict unravels more naturally through her. Fortunately, she is the default pick the cursor begins on, and the player has to actually make the choice to switch to Takuma.

Nadeshiko begins the game as an unemotional, even robotic, amnesiac. She remembers all her day-to-day knowledge and schooling, but events that affected her personally are all gone; the result of a training accident. Nonetheless, she's physically healthy and ready to be discharged, so she immediately decides she will go to her new job, because that is where she is supposed to be.

It sounds kind of silly that someone in that kind of condition would be allowed to go, but given the way this society is structured, if Sibyl thinks it's okay, it must be okay, and what's she going to do anyway? Just sit around waiting for her memory to come back?

I like Nadeshiko because even though she is considered unemotional and has trouble understanding the feelings of others, she has a healthy streak of common sense and calls it as she sees it. In the first case a would-be boyfriend blackmails the girl he likes into traveling back to their hometown with him. A couple of the enforcers in Division 1 think the situation could possibly resolve on its own without the CID's interference. The kids used to be friends before she moved and the boy clearly has feelings for the girl.

Nadeshiko rightfully says she can't make the connection between affection and blackmail.

Though the game doesn't give a psychological explanation for why Nadeshiko has trouble experiencing and understanding emotion, no one actually faults her for it. It's just part of who she is, and as someone who sometimes has trouble reading emotions in others, I appreciate that. Yes, she thinks differently from most people, but no one yells at her for not understanding. Even the Ms. Droid nickname feels more like it comes from a place of affection rather than malice. (It helps that the Japanese is Droid-chan, which adds a sense of endearment to it.)

Psycho-Pass as a series was heavily influenced by Philip K. Dick, but Mandatory Happiness chooses a different literary inspiration, even called out in game. Nadeshiko's favorite book is The Silver Metal Lover by Tanith Lee (and I about screamed when the book cover was described in game, only to have the narration confirm the title on the next screen).

Rather than empathizing with Jane, the protagonist (who begins the story oddly like the average citizen in Psycho-Pass), Nadeshiko sees herself as Silver, the robot who isn't human at all but seems to become more and more like one after spending time with Jane.

Nadeshiko is highly unusual as a female protagonist because of her mentality, which probably places her somewhere on the autism spectrum though that terminology isn't used. She's the least emotional member of the team, but she's not entirely without empathy, and it's sweet when she pieces things together enough to realize how she can be a little kinder to someone while still being herself. Her emotional needs are low, but not nonexistent. Rather, the same inability to process other people's emotions leads to her not being able to process her own.

This most awkwardly comes out through Takuma Tsurugi, who has a shared past with her, though initially she's unaware of it. Takuma invades her personal space a lot, which annoys her and she calls him out on it (which is why I love her), but it's clear from the early memory flashes that Takuma is also someone special from her past, which is hard to buy when he's being annoying.

If the player gets most of her memories back, we learn that Nadeshiko Kugatachi used to be Yukari Himekawa, Takuma's lost girlfriend. She's had her unemotional state since she was a child and Takuma grew up with her, persistently trying to get her to understand why some things weren't right and why others things were okay even though they seemed outwardly harmful.

But chances are, the player will not unlock most of Nadeshiko's memories the first time through, as it's not obvious which choices will lead to a memory recovery scene and the player needs to trigger enough to them to get the avalanche unlock where nearly everything floods back.

This made it hard for me to like Takuma until I start getting into my later playthroughs using a walkthrough.

The thing is, it's possible to get to a True End of the game without necessarily getting the whole story. In fact, there are multiple endings that all could be considered legitimate, and this is only possible because of the fact the game chose to tell Nadeshiko and Takuma's stories rather than an established character's.

A True End results if the villain is stopped rather than the player discovering all the plot points. I played through on sheer RP mode first, making choices that made the best sense to me given Nadeshiko's personality, but this meant that I never found all her memories.

The result was a bit of a bumpy ride, and satisfying for Nadeshiko's sake if not mine. Lives were saved, but the game is pretty heavy-handed in pointing out that Nadeshiko has all these similarities to the missing Yukari Himekawa that it's bizarre that Nadeshiko herself never thinks that she might somehow be Yukari.

Given the world of Psycho-Pass and knowing what the Sibyl System is capable of, it was easy to believe that Nadeshiko's current identity was forged and she has access to no records of her previous life, but she never even checks, which seems like an obvious step for an amnesiac. Though, depending on how you choose to play her, Nadeshiko can also have absolutely zero interest in recovering her previous self.

Nadeshiko's full story, once it comes out, is that as Yukari Himekawa she was in charge of the Silver Project, which was to create a human-like AI that could be a companion to humans. One of the greatest sources of unhappiness remaining in Sibyl's mostly peaceful society, is that of loneliness. Without a friend to confide in, people's Hues can become clouded, and even though Yukari herself was not adept at recognizing why this happened, she understood that human contact was important, and the Silver Project was aimed to become a stopgap for those whose social circles had become so small they had no one left to turn to.

Yukari wanted people to be happy.

But, she also wasn't very good at determining what happiness was, and ended up murdering a bunch of comatose patients that were never expected to wake up because she thought that would free their families from having to worry about them. She was perplexed that this actually made things worse.

Yukari was apprehended pre-game, but at the same time was discovered to be criminally asymptomatic, which in Psycho-Pass means that they cannot be read by Sibyl and their Crime Coefficient remains low, like a law-abiding citizen. Because the Crime Coefficient is instrumental in identifying and apprehending criminals (the Dominator won't even unlock to allow a paralytic shot if the Crime Coefficient is under 100) the existence of criminally asymptomatic people is hushed up.

Those who are found, are encouraged to join the Sibyl System (a hive mind), by force if necessary, in order to better account for the variations in human behavior. Yukari did not need to be forced as she saw joining Sibyl as a positive, but Alpha, her Silver Project prototype, panicked and messed up the procedure as they were going to remove her brain.

The result was both of them getting their memories fried (though Alpha remembered enough to know that his purpose is to make people happy and that will please Mother). Since Yukari ended up losing her criminally asymptomatic condition along with her memories, Sibyl decided to put her on surveillance as part of Division 1 with a new name, new face, and new voice (presumably so she can't be recognized as the disgraced Yukari) and see if she recovers enough to join Sibyl.

Depending how the player proceeds through the game, Nadeshiko will react differently to being recruited into Sibyl after getting her memories back, and she might not agree with her former self at all.

Though there are eight True Ends for Nadeshiko, they're really broken in four different sets of circumstances; if Nadeshiko recovers her memories without any damage to her Hue, if Nadeshiko recovers her memories after having her Hue severely clouded, if Nadeshiko gets demoted to enforcer and recovers her memories after killing Alpha, and if she never learns the truth.

My favorite ending is probably one I would not have gotten without a walkthrough since it comes from recovering her memories after damaging her Hue, since I have trouble having Nadeshiko make stupid decisions. She is a logical and efficient character, so I don't think it's likely she would have gotten to that point on her own, even if detective work isn't the job that Sibyl initially foresaw for her when she was Yukari.

But she if does get to this state, she confides her true identity to Takuma shortly before their confrontation with Alpha, and once the big lug gets the story straight he is damn well 100% behind her. Even though he's been annoying and chauvinistic at times, one thing I really like about Takuma is when Yukari needs him, he listens to her, and no matter what, he's willing to abide by her decision. He doesn't talk back, he doesn't try to convince her she's wrong. Once her mind's made up, his entire attitude is "What do you need from me?"

And her ask is huge. But he still goes for it, even knowing that he'll probably never see her again.

That was the one ending path where the final choice is to join Sibyl or escape overseas with Takuma and Alpha. I chose to have Nadeshiko stay, for the greater good, and to have Takuma raise Alpha in her place in freedom outside of Japan. And he does it. He said he wanted to carry half her burden for her and by golly he sticks to his word without a hint of complaint.

I did want to slug him just a little bit though for his last sexist remark about needing to indulge a woman from time to time (he was telling Alpha why they had to let Nadeshiko/Yukari leave them), but if anything it's nice to see a flawed character executed so well that I like the guy despite his issues.

After finishing all of Nadeshiko's endings though, I realized I still didn't have a full picture of the story. I had most of it, but I was still missing a few things, mostly in regards to Takuma and his involvement with Division 1. So we'll cover him next week!